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Category: Auton

Without Hindrance

Posted on 30.01.21. - 30.01.21. by ae

Hello all,

I am pleased to announce “Without Hindrance”, my latest release under the conceptual multimedia alias Auton. This cassette tape and zine of critical text is being released by the San Francisco-based label Left Hand Path

Without Hindrance by Auton

From the website:

Left Hand Path is proud to welcome “Without Hindrance” – the latest in a series of mixed-media releases from Auton that explores the nature of insurrectionary rupture and the possibility to challenge the hegemony of power and violence held by the State. Following up on 2018’s “La Lotta Continua” for Jacktone and the 2019 “Tute Bianche” EP (and its subsequent reconstructions) via TRAM Planet, “Without Hindrance” exists as a study of the events of the May ’68 uprising in France, its capitulation to the spectacle of electoralism, and decline brought on by the failure to seize upon the moment of ultimate potential.

This release is housed in a clear vinyl bag and contains a professionally dubbed and printed audio cassette, featuring four original Auton tracks written between 2018 and 2019, as well as four reconstructions of these tracks by Andrew Nolan, Nihar, 51717 and Chaperone.

Also included is a full-color professionally-printed zine written in early 2019 by AE and anarchist tactician Tom Nomad (author of “The Master’s Tools” and “Toward An Army Of Ghosts”) which explores the ritualized behaviors of the radical milieu, the nature of the State and its capacity for intelligent evil, and ways forward that draw from the tradition of The Situationists in their articulation of a decentralized and constant insurrection of daily life.

The various elements of the release are drawn together with gorgeous hand-collaged artwork by Ashley Hohman, whose flair for brutal psychedelia compliments the techno-paranoiac sound and elegiac prose.

 

I wrote much of this music and text while living in Cleveland in 2018-2019, and am pleased with being able to release it now in 2021 and find I am still satisfied with it as a whole.  The text written in 2018 in particular – both my own as well as Tom Nomad – has aged quite well, given the lessons that 2020 has taught us as anarchists of uprising, momentum, electoralism and the recuperative force that can be mobilized in the service of counterinsurgency.  If an addendum to the zine is needed upon the light of retrospect of the last year that clarifies those writings absolutely, it is that the idea of creating constant insurrection out of the spontaneous conditions of everyday life are those which are the least able to be contained by the state or it’s allies of far-right and liberal counterinsurgents. The leaderless, spontaneous and brutal acts of incendiary uprising against the state are those worthy of solidarity and valor – the nameless actors responsible empowered others to act in a similarly uncontainable fashion as true partisans of their self-interest – namely, in acting without remorse against the structures and manifestations of the state. The great spectacles of mass mobilization that followed in their wake served various emotional and symbolic purpose – valid at that – but easily guided away from destabilizing potential by liberal reformists, communist organization opportunists and – although Joe Biden’s election was hardly a referendum in favor of Black autonomy from police surveillance and  violence – democratic party electoralists.  The critique of electoralism’s role in the dissipation of energy in the May ’68 uprising is echoed by the even-further-decomposed election of a political regime whose favor is less in naked aggression, but in “smarter” and “community-led” policing – just as violent and monopolistic on force but with the veneer of technocratic liberalism to appease well-to-do liberals who found the idea of the police as the previous administration’s footsoldiers only-momentarily distasteful.

An additional point that is worthy of return in 2021 is how the culture of conspiracy theory, state-hegemon campism, deep state subterfuge and false-flag narratives has deeply infected the left. The constant rumination of the left on agent-provocateur activity was a running theme that resulted in counterinsurgency within our own milieu – in its least materially-consequential form in seeding the paranoiac belief of the state as an all-powerful actor imbued with a malignant evil; and in its most consequential, resulting in the left doxxing insurrectionists and aiding in the repression of the movement in an appeal to liberal respectability. To act, we must recognize that the state – while able to crush individuals and groups in its particular and narrow sights – largely relies on the implict promise of surveillance – the spy at the door, the bug in the lamp, the informant in your social circle – rather than the direct manifestation of this surveillance in real-world spaces.  Although the state- in an effort to endlessly perpetuate its existence against those who declare themselves sovereign of it’s control – does choose to target and entrap people in our movement, it does this largely to create a mystifying  and repressive cybernetic omnipresence upon which it can rely to paralyze us from acting.  Feeding into this strategy of repression by casting every act of insurrection as somehow being a scripted move in the deep state master plan (a spurious entity at that – Leviathan doesn’t need to hide deeper within itself) results in nothing but militants unable to act, and too fearful of their communities to keep silent.  The accelerating decomposition of politics and reality will no-doubt exacerbate this paranoia, and it thus is something I believe will be with us all through this next wave of repression.

(Note: if i find more within my readthrough of the zine that I find relatable to life now, I will try to circle back and include it here for organization’s sake.)

I want to take the time to thank all of the people who helped bring this Auton release to the public – the crew at Left Hand Path including especially Nihar, Chris, Jason, Brian and Sylvia; Mark Pistel for his careful work on mastering this release; Tom Nomad for being a mentor, trusted friend and collaborator; Aragorn! for being a foundational presence- Rest In Power; Kyle at Outlandish Press for printing the zine; the remix artists Andrew (who also introduced me to the Situationists’ writing), Lili and David; and of course Ashley for her beautiful collage pieces that drew these pieces together as a singular item.

Please support the label.  Digital and physical versions of this release can be found on their bandcamp page.

I hope that the first month of the new year has treated everyone as least-poorly as can be expected in this time – thank you for your continued support.

Love and solidarity,

ae

 

Posted in Auton, General

Bodyhammer Variations

Posted on 03.02.20. by ae

 

I am happy to announce the release of the “Bodyhammer Variations” EP of remixes EP that I composed and arranged from the tracks on the “Tute Bianche” EP on TRAM Planet Records.  I have previously posted a mixed and extended version of these tracks (in a draft stage) for a mix as Auton, and these four tracks represent edited and streamlined forms I am proud to release to discerning selectors.  Mastering was done by Alex J. Michalski and artwork was produced by C. Parks Perdue.

The EP can be purchased from the Auton artist page at the TRAM Planet label site.

On a personal note, my friends at TRAM planet have made this EP available for purchase in such a way that goes directly to my own personal funds, which help offset a spell of unemployment I’ve encountered since the new year. I am not one to imply that my music be supported out of pity for hardship, though if this release appeals to you for home or club use, it would go a long way to bridging the gap.  Thank you for your support.

Posted in Auton, General, Seith-Communiti

Tute Bianche (Bodyhammer Version)

Posted on 01.10.19. - 01.10.19. by ae

https://soundcloud.com/tram-planet-records/tramcast-58-auton

Happy October everyone. I am happy to present a mixed, restructured version of the Auton “Tute Bianche” EP which will henceforth be known by the name “Tute Bianche (Bodyhammer Version)”.  This is the result of a commissioned original Auton mix by the lads at TRAM Planet Records, who were very patient in allowing me to submit not a DJ mix (something I feel is beyond the scope of the multimedia-production-oriented project Auton), but instead an industrial dub reinterpretation of the four tracks they are pressing to vinyl, mixed for long playing trance-state enjoyment. You can stream it via the embedded player above.

Samples were lifted and manipulated from the 2002 short German / Italian documentary Ganz In Weiß – Tute Bianche produced by EIKON, which was kindly uploaded for public use by the incredible resource Anarchistische Gemeinschaft. You can watch it in full (German subtitles) below:

Auton – “Tute Bianche (Bodyhammer Version)” will be available soon as a cassette on the Seith Communiti imprint.  The title makes reference to the zine “Bodyhammer: Tactics And Self-Defense For The Modern Protester” by sarin, which was popular among Tute Bianche / ¡Ya Basta! / various padded bloc movements for its frank and instructive discussion of strategy, theory and guides for constructing DIY anti-riot-control implements. Sarin’s Bodyhammer zine is available as a free PDF here.

Posted in Auton, General

Relocation // Delocation // Obfuscation – To Briefly Reflect On The Conditions Of The Necrostate

Posted on 09.09.19. by ae
Cover art for the upcoming
“Tute Bianche” EP on Tram Planet, designed by C. Parks Perdue.

i. Intro

Before we begin, please allow me to make a brief mention that Tram Planet label is currently taking preorders for my first vinyl release under the Auton alias. “Tute Bianche” is slated for release on 20.9.19 as an extremely limited 10″ lathe cut record + 3 color risograph cover designed by C. Parks Perdue + risographed 17×11 poster designed by myself and Matthew Goik . For the non-fetish-object-oriented, there is an infinite-edition losseless digital format available on 20.9.19 from the above link. Thank you for supporting independent, critical and DIY media in an age where few things in techno seem independent of / critical of / done outside of the leviathan.

I. Relocation

By now, most people who are probably reading this know that I have moved from Cleveland, Ohio, to Pittsburgh, Pennsylvania, which is a good deal of why updates to this have been seemingly so sparse. It has taken nearly a month to get my feet back under me and – rest assured – I have achieved a level of working poverty, alienation and precarity similar to that which I had grown accustomed to in Cleveland, but I now have a small house in a wooded neighborhood with my partner, our three cats and (finally) my own home studio setup. I am spending most days very viscerally negotiating my desire to have groceries in the fridge with my desire to have a job that affords the weekends off to take on gigs out of town at the moment, and fear that – unless the situation changes – I may be largely unable to travel out of Pittsburgh for gigs until January 2020.  However – I have secured time off enough to embark on a ten-day tour around the East coast and Midwest with dear friend Dungeon Acid from Copenhagen from Friday 19.10.19 to Saturday, 26.10.19.  More info (tour flyer, full event listings, special tour media including posters and cassettes) will follow as soon as the final gigs are confirmed.

II. Delocation

Delocation is a term that has come about recently as millenials have found themselves (like the many urban residents they displaced before them) forced out of metropolitan centers by the housing crisis, by underemployment in cities and the atomization of the labor market into deepeningly-precarious gig economy bidding that makes the rosy dream of the metropolitan elite lifestyle a fantasy of those striving toward bourgeois existence without the generational wealth to actualize it. This condition of reality is no doubt wrought by the oligarchy of landowners, tech corporations, neighborhood development organizations and the capitalist class who have found within millenials yet another class of people who must act against their own interests to avoid falling behind in the cycle of artificially-manufactured precarity. Moving from Cleveland (which is rife with exploitation, alienation and subjugation of the working class to a frightening yet traditional and quotidian degree) to the tech-accelerationist capitalist playground of Pittsburgh has cast into relief the degree to which technocratic neoliberalism has failed the working class, deepened exploitation of workers and atomized communities out of existence. Despite the all-enveloping bubble it has been inflating – the technocratic robber barons and their class-conspirators will eventually leave the working class to reckon with the consequences of hyper-exploiting all of the resources and capital available to them.

How does this (or must this?) relate to techno?? Without assigning unneeded gravity to the concerns of the 300 or so DJs striving to earn a stable income off gigs over the rest of the global working class, I believe delocation is something we will begin to see as the structures of the “dance music industry” begin to contract inward as the conditions of capitalist accelerationism comes into increasingly sharper relief.  We have already seen many precursors to this impending collapse – media outlets solidifying their position as organs of both industry tastemaking while also skimming off an integral infrastructure platform or selling a lifestyle brand that curates or facilitates nightlife, the recoiling of corporate patronage-sponsored alternative media as capitalism bares its teeth and removes the facade of serving the dissemination of a space for sonic and cultural progressivism, real-estate-magnate owned nightclubs having to choose between the low returns of their curatorial authencity or profit-seeking behavior as their crowds demand a more sanitized and bourgeois luxury nightclub experience, etc.  All of these signal a point at which the bubble will burst – and so I ask, what infrastructure will you have to rely on in that hyper-oligarchic subcultural era?

III. Obfuscation

I am challenging myself to embrace a withdrawal from mainstream ideals, from casual accessibility, from easy categorization and brand-narrative synergy in favor of something enigmatic – something that ignites a feeling of excitement when discovered rather than the same paste fed to you by the algorithm.  I am aiming create an infrastructure of skills, resources and networks that I can rely on as an independent artist now – while the seams are still holding together – before the bubble bursts. I am prioritizing DIY space, attitude and ingenuity in my artistic and community values in a way that is less sensitive to the ebb and flow of resource mobilization by the dance music mainstream.  I am forcing myself to learn things or do things again that I haven’t done since my punk and noise days – booking extended driveable tours (rather than one-off weekend gigs), making merch by hand, dubbing and producing media, etc – things that the industry has often sought to delegitimize as not “proper” so as to sustain their own existence performing these functions for artists.  I am challenging myself to start small and have goals that lie outside of the familiar path of all the right social media branding, mix podcast appearances, Boiler Room sessions, etc that plays into the perpetuation of an unsustainable artistic model.  Finally, I am conditioning myself to understand that “success” in this artistic medium is something entirely bought and sold within that industry construct, and that by letting that definition of success define my own art I am robbing myself of a potential richness that exists outside of the usual “who played what, who gigged where, who released what” morass of competitive DJ culture. While none of this is meant for anyone else but myself, perhaps what I’ve said resonates to that nagging feeling of loss you have in the quiet moments of your pursuit of your DJ industry success story. Perhaps, then, it’s time to attempt to gain an understanding of exactly who you are and what you do – and more importantly, exactly who they are and what they want from you – and how those things are either going to be compatible yet unsustainable, or a happier and perhaps more fulfilling opposite.

Posted in Auton, General, Mx. Silkman, Seith-Communiti

Seith-Communiti: An Introduction

Posted on 17.06.19. - 17.06.19. by ae

Thank you for venturing off the well-worn path of social media platforms and seeking (or stumbling upon) Seith-Communiti. This is a space for updates, links and longform elaboration on the ideas, themes and critical thought related to the music I produce, text that I publish, mixes I curate and public DJ performances. This includes not only my DJing under the name Mx. Silkman, but also updates pertaining to the autonomous queer DJ collective IN TRAINING, my “techno” and text production as Auton and the (forthcoming) work done under the production alias Funeral Parade Of Roses.

This site is a continuation in some senses of my long-running blog (on the Tumblr platform) that served as a more personal (yet impersonal) moodboard / reposted sources of inspiration / curated aesthetics. However, a great deal of the last five years or so of that blog discussed queerness and sexuality in explicit terms and images – something that the SESTA / FOSTA legislation of 2018 drove off the platform, transforming it into a far more sanitized and censored imageboard platform.  Although I have little desire to explore sexuality so publicly (explicit sexuality anyhow) on this platform, my decision to create this site using the Noblogs platform will ensure a greater degree of intellectual freedom and privacy from surveillance-state than the alternatives (Tumblr, Blogger, WordPress, etc).  While not perfect, I feel that it’s an important step in my agency as a writer and artist to aspire to hosting my content and discussion of it on a platform that is not sustained by selling user data to algorithms, the surveillance machine or other dystopian machinations of the state. Additionally, it allows me to be able to make my writing, links to written material and recorded music available to people who care without the additional static added by platforms like twitter, facebook and instagram.  This will include (for the time being) not allowing comments.  I have little desire to engage in public discussion with passers-by, and prefer this resource as a transmission from myself to potentially nobody. If you are curious for greater explanation, clarification or discussion on a post (or general questions), my e-mail will be available and regularly checked at AERIN_ERCOLEA(AT)PROTONMAIL(DOT)COM.

For the time being I’ll no doubt be available on other platforms, but would greatly prefer to retain my own ramblings within my own space rather than subject them to networks that prioritize confrontation and the flattening of discourse for wider algorithmic appeal to audiences.

“Seith-Communiti” as a concept was 1) a convenient name I have used online for some time in similar contexts 2) something that I would hope to pursue in the future as a multimedia imprint of text, video and sound by myself and likeminded others and 3) a name that sounded cool as shit.  The first part comes from the neo-pagan concept of “seith”, a magickal introspective practice traditionally associated with the liminal spaces of femininity / failed and deviant masculinity in society. While the concept of neo-pagan ritualism is something I’ve felt less of a connection to in the last few years – largely out of disgust with the reactionary / fascist co-optation and entryism into it – the concept of seith as a queer ritualistic way of confronting the dehumanization and alienation of capitalist / modernist reality is something that serves as a pathway into deconstructing authoritarian understandings of the modern age. These ritualisms – oracle, soothsaying, entheogenesis, alchemy, science, mathematics, dialectics – have allowed us to define the machinations of our reality and push towards its greater understanding (or subversion of it’s material existence). “Communiti” is simply a stylization (something that looks cool in print) of the idea that gatherings of people that hold an understanding of these rituals are central to our existence as social animals (for better or worse). I choose to operate on the belief that the gathering of actors into spaces – actors who un/consciously embrace seith-practice can act according to strategy and possibility within the bounds of the space understood as the real.  From this, we can have an insurrectionary rupture that can create a space to alter the bounds of the real, and temper chaos into a different (hopefully strategically better) form.

Again, at its core it’s a name I think looks cool. The previous is just justification of why I think that.

I will be updating / building this space out in free moments of my time in a bid to have a healthy, creative and productive outlet that isn’t as deeply rooted in the “hot take economy” of social media participation. Links will be posted on the sidebar to DJ mixes, Bandcamp uploads to stream or buy physical and digital media, upcoming gigs and PDFs of readable and printable (front and back 11×8.5 page) zines.  With regards to PDF files for the printable zines, I ask kindly that reproduction be for one’s own use / to be left in radical spaces and autonomous gatherings / distributed for free at infoshops,raves/record shops/etc. Select infoshops and record shops will receive original print runs of these works that they may sell – these will be hand numbered with color printing, higher quality paper, risograph printed etc.  DIY editions printed in black and white on standard printer paper are ideal for free reproduction.

Love and solidarity,

A.E.

Posted in Auton, Funeral Parade Of Roses, General, Mx. Silkman, Seith-Communiti

General Inquiries:

aerin_ercolea(AT)protonmail(DOT)com

Note: Please allow at least 24 hours for a response to most inquiries. Thoughtful answers and elaborations regarding content posted here may take longer, but I’ll try to get them sent promptly to a degree at which I’m comfortable.

 

Seith Communiti Imprint

Out Now:

SC.001 – Dungeon Acid & Mx. Silkman – Kängraven // Drömmusik c90 (SOLD OUT)

SC.002 – nonsite – in error c36 (SOLD OUT)

SC.003 – Mirai – Total Crash c46 (SOLD OUT)

SC.004 – Tom Nomad – Pacifism zine (SOLD OUT)

SC.005 – Farplane – Four Rites Of Transmutation 2xc90 (SOLD OUT)

SC.006 – Expugnantis – Old Raptures c-58 (SOLD OUT)

SC.007 – Forbidden Colors – La Yeguada c-36 (SOLD OUT)

SC.008 – Beton Translucide – Chalet / Vortex c-22

SC.009 – Toward The Total Human: A Pandrogynist Communist Manifesto zine

SC.010 – David E. Coccagna – I Watched The Dog Go Hungry chapbook

SC.011 – Pure Rave – Gallons c-32

SC.012 – Solanaceae Tau – Architektura Psychedelia c-60

SC.013 – Andrew Nolan – Black Creek c-38

SC.014 – Kem C. – Shroud zine

All releases can be streamed or purchased on the Seith Communiti bandcamp page

Funeral Parade Of Roses

Forthcoming:

Funeral Parade Of Roses LP + Zine featuring artwork by Priscilla Genet

Auton

Out now:

La Lotta Continua (Jacktone Records, 2018) limited edition cassette and zine

Tute Bianche EP (TRAM Planet, 2019) limited edition 10″ lathe cut and risographed poster 

Bodyhammer Variations EP (TRAM Planet 2020)  digital-only remix EP, released first as a sequential extended mix.

Without Hindrance (Left Hand Path 2021) limited edition cassette and zine, featuring writing by ae, Tom Nomad and art by Ashley Hohman

Mx. Silkman

 

On Soundcloud

On Twitter

Upcoming: n/a

 

Links to Zine PDFs

La Lotta Continua printable PDF

La Lotta Continua readable PDF

 

Links To Relevant Projects:

The Anarchist Library

Organ Bank

Comatonse

A New Institute For Social Research

Dennis Cooper

Ill Will Editions

Filler Collective

Baedan

Datacide Magazine

Infinity Land Press

Outlandish Press

Black Autonomy Network

Little Black Cart

SURVIVALIST

Detritus Books

Indigenous Anarchist Federation

Digital Freedom Initiative

Ashley Hohman / Terminal Classic

Jailbreak PGH

Oak: A Journal Against Civilization

Untorelli Press

Recent Posts

  • Funeral Parade Of Roses 27.12.21.
  • Emerging From Isolation 22.09.21.
  • Seith Communiti Imprint – Spring 2020 15.04.21.

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